BOLLYWOOD
- The Indian Cinema and Switzerland
Gallery, 25 May to 8 September 2002 |
|
 |
Nowadays Switzerland is to Bollywood what the Far East once was to
Hollywood: an enticing paradise, heaven on earth. Bollywood, the greatest
dream factory on the Indian subcontinent, is the most productive film
industry in the world. The studios in and around Bombay bring over 800
productions per year to the screen. In comparison, Hollywood manages
only 600. Romantic comedies make the best box-office draws as Bollywood
films, formulaic stories with the right mixture of emotional ingredients
like happiness and despair, love, rage and grief, surprise and heroism.
Romantic song and dance numbers are staple Bollywood features. The films
last three hours on average and include at least six songs in which
the singing and dancing hero and heroine swear eternal love for each
other, whether this fits in with the plot of the film or not. Some of
the song and dance numbers are shot in Switzerland. Lush Alpine meadows,
white peaks, shiny railways and picturesque chalets make the ideal setting
for Bollywood stars singing their tuneful declarations of love. The
song routines used to be shot in Kashmir, Indian mythology's standard
land of longing. But political unrest and border disputes with Pakistan
have pretty well ruled out the Kashmir valley as a location. Switzerland,
with its impeccable infrastructure and its mountains - just as beautiful
as Kashmir's -, has become the most popular substitute. And now more
feet of film are shot per year in Switzerland by Indian film crews than
by native ones. So Switzerland has long been a fantasy focus in the
everyday life of Indian film fans (and given the audience figures you
could simplify that by saying in everyday Indian life): as a mixture
of the national clichés that are known all over the world and the images
of longing that Bollywood films project on to the Swiss Alpine meadows.
"Bollywood. The Indian Cinema and Switzerland is a Museum für Gestaltung
exhibition based on a joint research project with the Seminar
for Film Studies at the University of Zurich. It uses clips from
films, stills, photographs, posters, models and clay figures to illustrate
how the emotional landscape called "Switzerland" has been constructed
in the Indian cinema - a landscape that we think we know so well, and
that we can in fact rediscover from scratch in this exhibition. Edition
Museum für Gestaltung Zürich is publishing an illustrated reader to
accompany the exhibition. The research project was made possible by
funds from the Gebert
Rüf foundation
Research team:
Alexandra Schneider, Zürich / Till Brockmann, Zürich / Cecilia Hausheer,
Zürich. project contributors: Dorothee Wenner, Berlin / Alexandra Rozkosny,
Zürich / Urs Keller, Zürich / Riyad Vinci Wadia, Bombay, New York
Project assistants
Dorothee Wenner, Alexandra Rozkoskny, Urs Keller, Riyad Vinci Wadia,
Meenakshi Shedde
Exhibition team:
Curators: Meret Ernst, Cecilia Hausheer
Assistant: Gabriella De Gara
Exhibition design: This Dormann
Exhibition coordinator: Tina
Schalow
Architecture: This Dormann
Construction: Werkstatt Museum für Gestaltung Zürich, head Carpenter:
Jürg Abegg
Bollymap
Production: Belleville
|